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This is the story of a young witch, named Kiki who is now thirteen years old. But she is still a little green and plenty headstrong, but also resourceful, imaginative, and determined. With her trusty wisp of a talking cat named Jiji by her side she’s ready to take on the world, or at least the quaintly European seaside village she’s chosen as her new home.
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Hayao Miyazaki is a surprising bloke. Just when you think you know what to expect from him, he pulls the carpet right under your feet. After “My Neighbour Totoro” you’d think that Miyazaki possibly could not make another as delightful animation that is suitable for all ages, and you know what he did? Another delightful animation for all ages! Man deserves to be saluted.
“Kiki’s Delivery Service” (Majo no takkyûbin, 1989) is adaptation of Eiko Kadono’s book. Like almost all Miyazaki’s movies, the story is set in a world that may look much like the real world, but is not. This time the film would seem to be placed in the 1950’s Europe, except the existence of witches and magic is taken as granted and neither of the World Wars ever happened. The protagonist Kiki is a thirteen years old witch who must, as all young witches must, leave her home for one year and live in another town on her own. Her mother is worried, for Kiki doesn’t posses any other kind of magical abilities than flying on a broom. This doesn’t put young girl down, who is filled with enthusiasm. Along with her talking black cat Jiji, Kiki moves to a town by the sea, where she then tries to fit in a community. Along the way she meets various different people, like baker woman Osono and her quiet husband, young artist woman Ursula and Tombo, inventor boy to whom flying is almost an obsession.
Though “Kiki” has more plot than “Totoro” has, they are both the most delightful films Miyazaki has made for all families to watch. I don’t know how he has manages to capture such a good feeling to these animations, but I for one am brightened up by “Kiki” and I didn’t see this movie till I was 17-18 year old. The town where Kiki settles in looks very European, and was most probably inspired by Stockholm, the capital of Sweden, along with other European cities. The animators have done a grand job with it, and I personally wouldn’t mind living there. Miyazaki has gotten a good excuse once again to bring his fascination with flying to the film, through both Kiki’s broom flying and Tombo’s obsession of aircrafts. And music is, of course, done by the always amazing Joe Hisaishi who certainly doesn’t let us down this time either.
I’ve never heard neither the original nor new Disney English dubs, so I honestly can’t compare them to each others or Japanese audio. The original Japanese is done of course with perfection in mind and the film features not one but two just-starting-their-career-famous-voice-actors. Minami Takayama (Nabiki in “Ranma ½”, Dilandau in “Vision of Escaflowne” and Conan Edogawa in “Detective Conan”) voices both Kiki and Ursula, and especially as the protagonist her voice is so perfect for the part, I honestly can’t imagine how Kirsten Dunst could top that. As the inventor boy Tombo, we hear Kappei Yamaguchi, famous for his roles as Ranma in “Ranma ½”, Shinichi Kudo in “Detective Conan”, title character in “Inuyasha” and L in “Death Note”. Rei Sakuma also deserves to be mentioned for voicing Kiki’s companion Jiji.
I’ve heard that especially young women have found liking to this movie. This is probably due to the fact that movie does, subtly, tell about young girls difficulties to find her own place and how hard it is for her to keep her faith in herself. Whenever Kiki starts to doubt herself, it shows as a lack of ability to fly anymore. I’m sure many people, women and men alike, can relate to this problem and therefore feel sympathy for the character.
Do I need to say it? Miyazaki did it again with this film and if people back in 1989 started to think he can’t improve from this, he proved them wrong.